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  That system could take years to set up
 

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Face down on the sidewalk lie the bodies of three women, buried in rubble. Silver stilettos protrude from underneath cement dust and cardboard. Designer handbags and sunglasses rest next to their lifeless hands.

Tourists gasp. A crowd forms. An off-duty nurse rushes to crouch over one of the bodies. Others call 911 or take photos. And one woman hangs back, observing from afar.

She's the Spanish artist Yolanda Dominguez, and the women sprawled on the sidewalk are alive and well. They're models — part of Dominguez' latest art installation, Fashion Victims, meant to conjure images of the Rana Plaza garment .

"The real fashion victims are not celebrities, but anonymous workers in poor conditions, in polluted countries," Dominguez, 36, told NPR afterward. "The images I saw [from Bangladesh] in the media of the limbs of the dead people under the rubble struck me so much, and I wanted to reproduce them."

Nevertheless, retailers had been resistant to signing binding safety initiatives for their foreign factories, fearing they might be held responsible for sub-sub-contractors whose practices could be beyond their control, said Moscoso.

"You may be working with a company which then — and this happens in Bangladesh but also in China and other countries — itself contracts to even other people," he said. "So sometimes it's rather difficult to keep track of who is ultimately really the producer."

But with the Rana Plaza "wake-up call," Moscoso envisions the start of a in mainstream consumer fashion, similar to what already exists in the food and beauty industries.

"What may happen is that you develop some kind of sub-brand or label, [so] that those people that are interested and willing to support those efforts by companies have an easy identification of which products held up to certain standards or not," he said.

That system could take years to set up. Until then, Dominguez, the Spanish artist, is determined to prevent those images of Rana Plaza from vanishing from the public conscience. She's produced a video of her Fashion Victims art installation, and she hopes to re-create the public spectacle in shopping centers worldwide.

The three models Dominguez contracted for the project on Madrid's Gran Vía all waived their fee.

"It produced a shock in people's daily lives — but a necessary one," said María Sanchez, who wore silver shoes and was sprawled directly in front of the Mango store for about an hour. "It was a new experience for me. When we finished, I felt good about it."

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